Ever since her triumphant debut in Chaucer’s Canterbury Tales, the Wife of Bath, arguably the first ordinary and recognisably real woman in English literature, has obsessed readers — from Shakespeare to James Joyce, Voltaire to Pasolini, Dryden to Zadie Smith. Few literary characters have led such colourful lives or matched her influence or capacity for reinvention in poetry, drama, fiction, and film. In The Wife of Bath, Marion Turner tells the fascinating story of where Chaucer’s favourite character came from, how she related to real medieval women, and where her many travels have taken her since the fourteenth century, from Falstaff and Molly Bloom to #MeToo and Black Lives Matter.

A sexually active and funny working woman, the Wife of Bath, also known as Alison, talks explicitly about sexual pleasure. She is also a victim of domestic abuse who tells a story of rape and redemption. Formed from misogynist sources, she plays with stereotypes. Turner sets Alison’s fictional story alongside the lives of real medieval women — from a maid who travelled around Europe, abandoned her employer, and forged a new career in Rome to a duchess who married her fourth husband, a teenager, when she was sixty-five. Turner also tells the incredible story of Alison’s post-medieval life, from seventeenth-century ballads and Polish communist pop art to her reclamation by postcolonial Black British women writers.

'Those who foreground alternative voices must reach for innovative forms and reworkings of genre. Turner does this brilliantly, allowing Alison of Bath to speak for the legions of contemporary women otherwise silenced by history.' — Daisy Hay, Financial Times

'A superb biography…Turner's beautifully written, rewarding and thought-provoking book about this imaginary woman shows how much her literary existence has to say about actual women’s lives.' — Willian Kenny, The Spectator

'This is a wonderfully witty, thoughtful and authoritative meditation on one of English literature’s most astonishing characters — a woman both ahead of her time and yet very much emblematic of the social changes under way in 14th-century England.' — Carolyne Larrington, Literary Review